This project explores the relation between internationalism and leftist literature in early twentieth century China and East Asia. A study of internationalism amongst leftist movements offers important insights into technologies and strategies for building coalitions across national, linguistic and cultural boundaries. I propose that examining workers organizations and their literary and cultural links to internationalism in early twentieth century China and East Asia help us better understand the wider implications of literary practices in modern literatures and societies.
For many years, it has been a common practice adopted by educated people among East Asian countries to communicate with those who do not speak their language by writing Chinese characters. Many of these pen conversations, or bitan in Chinese, are preserved. Some of these are later compiled and published.
This research project studies Turkish university professors who have spent significant periods of time living in the United States or Canada but have decided to move back to Turkey. I want to understand why these professors choose to move back to Turkey after spending so much time in North America, and what factors cause them to leave. This project will take place in Istanbul, Turkey with possible trips to Ankara and other cities to meet my subjects. The research will include interviews with twenty-five professors from various backgrounds.
During my 12-week stay in Mexico City I aim to obtain and analyze archival material pertinent to the exhibition Cuba: Imagen y Posibilidad, a large Cuban photographic exhibition viewed by three million visitors to Mexico City's Galerias Abiertas de las Rejas de Chapultepec during 2009. This exhibition is central to my doctoral research, as it outlines the complexities of Cuba-Mexico bilateral relations as established through the' employment of international visual art exhibitions.
My research project presents a unique perspective on the Turkish experience of modernity from the side of the discredited, disavowed and repressed, and thus contributes to a better understanding (and to a better identification of the failures) of the modernization in Turkey that predominated much of the twentieth century. It does this through an exploration of paternity crisis that hinges upon the traumatic inception of modernity.