The highs and lows of music: dynamic neurophysiological entrainment in live concert experiences

Research into the psychological functions of music is rapidly growing. New technologies and facilities are beginning to allow more extensive research into the effects of music engagement and in more naturalistic settings, such as a live concert. In collaboration with the McMaster Institute of Music & the Mind, we plan to conduct an empirical study at the Large Interactive Virtual Environment (LIVE) Lab, a unique, 106-seat theatre equipped with technology that allows for simultaneous collection of multiple behavioural and neurophysiological measures from performers and audience members. We will measure brain activity (EEG) and physiology (heart rate, skin conductance) of audience members as they listen to a live concert. Using advanced analysis techniques will enable us to investigate how these neurophysiological measures develop over time, are linked to the music, and to subjective experiences of pleasure, absorption, and emotion. This research will contribute towards our understanding of cognitive processes during prolonged and often intense socio-emotional experiences, with implications for work in music and psychology, and applications in health and wellbeing.

Faculty Supervisor:

Laurel Trainor

Student:

Partner:

The University of Sheffield

Discipline:

Sociology

Sector:

Education

University:

McMaster University

Program: